Emily Carr  is passionate about artist books, Mary Ruefle’s essay “On Fear,” the rediscovery of Mississippi poet besmilr brigham, the sexual politics of meat, the limits of Achilles’ honesty & the problem of Chaucer’s spring, unposted love letters, cannibal chickens & a ship too late to save the drowning witch. Last summer, while Writer-In-Residence at Camac Centre d’Art, Emily composed Straight No Chaser, an artist book that experiments with “the poetry of fear.” Materials include a seafoam green Hermes 3000 typewriter, spray paint, scotch tape, a fold-out Athens city guide, & the insatiable appetite of Frieda, Camac Cat. Emily is the author of two books of poetry, directions for flying (Furniture Press 2010) & 13 Ways of Happily: Books 1 & 2 (Parlor Press 2011), three poetry chapbooks, a fiction chapbook, a Tarot novella, & a six-volume series of artist books.

My ecofeminist lyric praxis explores the psychological impact literacy has on our experience of the ecologies for which we have chosen (not perhaps willingly but merely by virtue of our belonging to them) to take responsibility. I call my work eco-feminist rather than “nature writing” because while I do write about nature, I am more interested in how writing about nature can be a way of studying human nature: the language and forms we use to discuss what can be turned into bodies, stories or selves; what turns are taken in bodies, stories or selves; what ends up in bodies, stories, and selves and what bodies, stories, and selves end up as in the end. For example, in my first two books of poetry, directions for flying and 13 Ways of Happily: books 1 & 2, I explore what I see as un(re)solved feminist questions: does the female subject continue to (as in the early days of feminism) be symbolically fraught? (And did feminism inadvertently cause this? And then fail to provide the answer?)


Get every new post delivered to your Inbox.